This actually happened today. The dialogue that follows is recreated as faithfully as possible.
[Scene: The back of a music store. A Crazy Bag Lady, henceforth referred to as CBL, wanders into the Band/Orchestra Department, looking confused.]
CBL [loudly]: Do you have the Hallelujah Chorus from Handel's Messiah?
Charlie [from the Choral/Organ Department, through the window]: We have it back here. [CBL wanders back to the Choral Department.] Do you have a preferred edition?
CBL [still speaking loudly, with no concept of an indoor voice]: I want the one by Bernstein. [Editor's note: this does not exist.]
Charlie: Okay, I don't think we have that in stock, but I'll check. [Looks in the files.] Are you looking for SATB?
CBL: What's that?
[Charlie dies a little on the inside.]
Charlie: SATB means "soprano, alto, tenor, bass."
CBL: Soprano.
Charlie: What?
CBL: Do you have it for soprano?
Charlie: We have arrangements for all men, all women, and mixed men and women. Are you looking for an all-female arrangement? [CBL nods. Charlie looks through the H drawer and pulls out a folder.] We currently have one arrangement for women's chorus in stock.
CBL: Is it by Bernstein?
Charlie: No; we don't have an arrangement by Bernstein. This is the only arrangement for women's chorus that we have.
[CBL looks through a copy of the arrangement.]
CBL: This is too short. It took us hours to get through when we were learning it in our chorus.
Charlie: It's a short piece. Would you like to see another arrangement?
CBL: I could have sworn there was one by Bernstein. He was the leader or something. You don't have anything with his name on it?
Charlie [sighing heavily]: No. We have an arrangement by Paul Bliss...?
CBL: Maybe that's it.
Charlie [handing her a copy]: Keep in mind that this is for mixed chorus, not just for women.
CBL: No, this isn't right. Handel Bliss. I was looking for Bernstein. [flips through it] Oh, yeah, this is a great arrangement. I forgot about the Bliss. [pause] This is still so short, though. Don't you have anything longer?
[Charlie contemplates murder.]
Charlie [taking out the Schirmer edition]: This edition is exactly what appears in the piano vocal score. It's not going to get any longer than this.
CBL: But I don't want the one by Schirmer.
Charlie: Schirmer isn't the arranger. It's the publisher.
CBL: Oh. It says Hal Leonard at the bottom. Maybe that's where I got Bernstein from. Did Hal Leonard arrange this?
Charlie: Hal Leonard is the distribution company.
CBL: Oh. Did I make up Leonard Bernstein? Is that a real person?
Charlie: No, he's definitely a real person. He composed Candide and West Side Story. He just didn't do an arrangement of the Messiah.
CBL: Oh. That man in West Side Story. I didn't know that was him. Do you have a tape of this Bliss arrangement you could play for me?
Charlie: I mean, you could look it up on Youtube, but most of the arrangements are going to sound exactly the same. It's the Hallelujah Chorus.
CBL: Okay. This Bliss is a great arrangement.
Charlie: That's great. Would you like to buy a copy?
CBL: No, I just wanted to refresh my memory. I used to be in a chorus and I was thinking about it today.
[CBL leaves.]
Charlie: *facepalm*
[End of scene.]
Reminds me of selling shoes in Winsted, CT, back in the 70s. A Crazy Bag Man (henceforth CBM) came in and asked if I had any winter boots. I brought him a pair in his size. The CBM held the boot, stroked it and practically moaned, "OOOH, this is a nice boot ... this is a nice boot ... this is a nice boot." After several minutes, he asked, "Do you have anything else?" I brought a different pair, and the CBM repeated the whole ritual. Finally he stood up to leave, because he didn't have any money ...
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